[x]

deviantART

 


Santa,

It’s been a hell of a long time, twelve years since you last received my letters. Instead of setting cookies and milk out for you, and celery for your reindeers, I started looking into cupboards.

My mother carried him, a gift at first and then a burden what with the adjusted angle of sleeping, sitting, sighing. She remembered oddly, her love for poetry, “This is the way the world ends, not with a bang but a whimper,” and gave birth to a sleek silent baby, who turned blue, his breath only being pushed into him by a flock of medics. My mother named him after the man she’d studied in school. The boy she thought would collect, cherish and smile. The boy turned man, turned from her.

Is he on your naughty list this year? You’ll be pulling out your red marker again, blotting an “NB” next to his name. Or have you since updated, scrapped him completely? I forget the year he stopped believing, it’ll be in your records, but I think, that’s part of his problem.

A voraciously active kid with a mop of brown hair, and a lanky frame was only eleven turning forty seven. It was he who broke the promise that you had passed onto my mother, a series of Chinese whispers turned sour: don’t tell your sister.

Twelve years ago, on the night before Christmas, my brother ushered me into my parent’s room. A small television and the perpetual floral on the wall made the room seem all too quiet.

“Look at this,” he said, prodding a finger into the cupboard and fishing out the tweety bird t-shirt that I’d asked you for. He showed me the gameboy, silver and shiny in its packet. The department store paper bag mocking me, I didn’t ask the shopping centre to deliver these. I asked you, Santa.

“What?” I tried, my mouth failing to recognise defeat. My fingers lacing against the edge of my dress.
He laughed, laughed so hard he bent over, hand clasping a knee.

“He’s not real, you dumb arse.”
“He’s not real, he’s not real,” his voice still echoes, almost cruel with the joy expelled from the same shaped lips as mine.

This was my brother at an age where he hardly knew how to roll, let alone wrap his lips around a cigarette. Before he knew how to mould words like, “fucking moron” into weapons, before he went out, got fucked and just didn’t care.  

He had a pocket full of promises, full of holes, threadless and bare. He’d always swear he’d give me five bucks if I did something for him: get him a drink, get the ball out of the gutter. And then as I grew older, and less gullible, he gave help with homework, as if he believed that it was replacing the respect he took away.

Angry, that’s what he is, and was—and I have no idea why. He and I grew outside each other, a world away. Apart from the familiarity of hazel eyes and brown hair, we look nothing alike, and I know little of him.

Perhaps the most I know is the worst value in people. He’s completely selfish. I exist, and I alone. Loves the sense of control, the money, and I think the sound of his own voice.  It’s the words that are most difficult; you’d think I’d have them pretty down pat by now. Our verbal communication stops abruptly at “hi”, the rest remain in gestures involving waves. And sometimes it hurts to think about how I will never say “I love you” because who was I? Just a quiet school girl with a fascination for books, and what was I to know?

There are three cardinals to my brother: don’t wake him up in the morning, don’t get in his way, and don’t talk to him before 9pm.

But this letter isn’t about how I stopped believing. What I do believe, is that everything is circular, even you with your red fleece wrapped belly, swinging Christmas around again. It’s not about what I’m gaining. You see, it’s what I’m losing.

I think Beginnings define the endings—and in some cases are the endings. He stopped acting up—new school, cleaner plate—but gave all his bitter energy to others. I still don’t think he’s a giver.

Knowing that he has curved away was nothing to how I felt his hands take hold of my shoulders and shake them. This year, he flew at me, red in his own flurry. Folded with rage about something as simple as a power failure, he was like a child inflicted with a fever. Things were said out of a raised temperature, delirium was in his strained temple.  Things he won’t remember in a year to come. But I know I will, I remember too well how I’d climbed into the nest of trees and cried, cried until I felt each droplet leave my body, and splayed my fingers into the littered ground. With my throat trying to conceal the weep that spilled from my mouth, I felt nothing. Not even the sting of twigs, and an unlucky beetle crushing beneath my palms.

Until now my mother had bore the brunt of his carelessness, and now, I had seen the side of him that my mother had since used all her tears up on. I cannot say how time stopped, how my body refused to act according to neuron-to-limb communication. And sometimes, I will tell you, that perhaps it never happened.

So, I’m asking you. Give my mother her smile back; remove the weight of her bitterness, and clean the shoulders of my father, who stands back in the shadows gathering dust, and saying nothing. This year I ask that something be repaired, some one be surprised, and somebody be saved. Before the uneasiness of resentment and love is swept, and sucked dry into oblivion. Before it drags my mother and us all into it’s circle.

Kind Regards,
Amber.
©2007-2009 `Amberlouie
Details
Submitted: December 18, 2007
File Size: 6.0 KB
Image Size: 0 bytes
Resolution: 0×0
Comments: 29
Favourites & Collections: 11 [who?]

Views
Total: 291
Today: 0

Downloads
Total: 6
Today: 0

Thumb

Author's Comments

“This is the way the world ends, not with a bang but a whimper" -- The Hollow Men, T. S. Eliot.

For the Litmas, Santa Letters competition.

*NB- non believer
hehe
and "focussed" with the double s is the australian way. As is using double quotations for past tense.

---
thanks to *Negated for the critique.
[x]

Devious Comments

love 1 1 joy 0 0 wow 0 0 mad 0 0 sad 0 0 fear 0 0 neutral 0 0

Comments


Very somber tone you prepared with this piece. The sense of loss which was not wholly complete was well done.

May just want to check up on some spellings here and there, but not real major complaints upfront :)

--
:heart:Words are my paint, and the pen is my brush:heart:

~ *getLIT ~*WordCount ~ *Adopt-A-Writer ~ *Writers-Workshop ~
which spellings? POINT THEM MY WAY!

--
:bulletred: Clearfield Review - Prose Editor
If you like, I'll nit-crit this.

Lovely work already, though. :heart:

--
| MIMESIS |
I'm sorry, I promised an extensive crit, but I hail from a very tired land tonight. Maybe tomorrow.
please, it feels like i need more clarity and my thoughts are so jumbled.
:) nit-pick away, thanks for the fav.

--
:bulletred: Clearfield Review - Prose Editor
always tomorrow, that is a-okay.

--
:bulletred: Clearfield Review - Prose Editor
Nonsense... no nit-pick required. I couldn't find anything wrong with spelling either, although some commas were prolly unnecessary. But that ain't worth mentioning. If I think it has clarity, then even Misty understands it.

All too familiar to our little house - how can I not fav this?

And I can sooo tell mine has already been beaten... :)

--
"We dug a grave, you weren't so brave, a ten gun salute, a tear of dilute ... the rain washed it away ... Nothing more to say." - SonicAnimation
Santa,

You’ve grown older, but now I'm not scared to tell you what I want. You haven’t received a letter from me in twelve years, and that’s a hell of a long time. But I stopped writing letters, stopped leaving cookies and milk out for you, and instead started looking in the cupboard.

I find it really interesting that you say Santa is the one that’s growing older, not you—intentional? Seems like it. Anyway, I think it works. The last sentence of this paragraph bothers me a tiny bit—the initial clause can be redundant: ‘I stopped writing letters’ after ‘you haven’t received a letter from me’. if you meant it as ‘I stopped writing letters’, period, that would be interesting (but slightly random), and I guess there’s a slight difference between whether or not letters are written or sent. Here’s how I might go about editing it:

“You haven’t received a letter from me in twelve years, and that’s a hell of a long time. But you know I stopped writing letters, stopped leaving cookies and milk out for you, and instead started looking in the cupboard.”

Makes it a bit more personal, and the repetitiveness look more intention. (sort of implemented into the tone). Everything else is lovely—it’s a strong beginning, sets the atmosphere and teases you thematically with questions like “what happened in those twelve years?” etc.


My brother, a voraciously active kid, prodded his finger into the tweety bird t-shirt, I’d asked you for. He showed me the gameboy, silver and shiny in its packet. And laughed, laughed so hard he bent over, hand clasping his knees.

This one gives me a bit of trouble. The brother is the crucial part of this letter, but the way you introduce him is rather confused—lots of clues pointing in different directions. The way you’ve written it makes it seem like it’s in a nearby past, but later we find out he is much older) than he is presented here (Gameboys, poking sister, laughing – generally childish behavior). I’m not quite sure why he’s doing any of the things he’s doing, besides the fact that they’re childish actions; what is he laughing at? Maybe grinning would be more appropriate. Reading it twice cleared up the gameboy / tweety bit (it’s some past Christmas?) but I think you could clarify the whole paragraph easily, by adding a time frame/setting.

Twelve Christmases ago, my brother prodded his finger into the tweety bird t-shirt I’d asked you for. He showed me his brand new gameboy, silver and shiny in its packet, and laughed. Laughed so hard he bent over, hand clasping his knees.

(still don’t know why he’s laughing though. good chance in wedge in some small disturbing detail that foreshadows the later issues—he is laughing because his gift is so much better than yours/because you winced from the prod/etc)


But this letter isn’t about how I stopped believing. What I do believe, is that everything is circular, even you, with your red fleece wrapped belly, swinging Christmas around again. It’s not about what I’m gaining. You see, it’s what I’m losing.

This one’s packed—gorgeous. I love the ‘circular’ bit, the ‘how I stopped believing’, ‘it’s what I’m losing’—all very strong lines. Missing transition, though—you sort of hop from the feel/message of the first paragraph to the memory and then back to this, and it’s dizzying. There’s also a bit of lack in transition to the next line also, but I think the emotion carries it forward well enough and there are no thematic issues here.

There are a few things—and I hope it’s not much to ask.

You know my brother? He’ll be on your naughty list, and you’ll be pulling out your red marker again this year, blotting another x to his name. He stopped believing pretty early, and I think that’s part of his problem.

Hmm. Feels like you’re introducing him again—maybe cut the previous instance, since this is much stronger and ties in with the entire thing better. Dunno. No nits on this one, it’s lovely and works with the whole santa-audience thing really well (:

I think you and I both know that he has a pretty stable life, before he knew how to say, “you fucking moron”, before he started to smoke, go out and get fucked, before he gave a name to our family, which wasn’t our surname, in such a small town. Even before we moved away. Slewing out of stability and into a different pattern.

’had’ a pretty stable life, I think. I like this part, but logically it’s a bit of a knot, because of ‘Even before we moved away.’—a strong, short sentence and well presented, but not parallel to the previous ‘before _, before _,’ structure in that it isn’t a condemned action (not in the same way, if you know what I mean?). It’s like somehow moving away is more of a socially unrespectable thing than smoking, and the etc others you listed. Like it’s the crucial point, exactly when he lost his innocence. Which doesn’t seem to be your point.

Beginnings, I think define the endings, and even in some cases, are the endings. He stopped acting up—new school, cleaner plate—but gave all his bitter energy to others. But I wouldn’t say he is a giver.

Beginnings, I think[,] define the endings—and in some cases, are the endings.

‘But I wouldn’t say he is a giver’ was jolting, a bit sloppy (though a fantastic line – it’s the double ‘but’s that make it kind of iffy). You could rephrase it to something like:

new school, cleaner plate--he gave all his bitter energy to others. Though I wouldn’t say he’s a giver.


He used to promise me five bucks if I did something for him, get him a drink, get the ball out of the gutter. And then as I grew older, and less gullible, he gave help with homework, as if he believed that it was replacing the respect he took away.

Angry, that’s what he is—and I have no idea why. As he and I grew, a world outside of who we were. There are three cardinals to my brother: don’t wake him up in the morning, don’t get in his way, and don’t talk to him before 9pm.

The cardinals are perfect. Don’t change them. They’re like getting slapped in the face, three times, slowly and methodically and shockingly. I like ‘Angry, that’s what he is’; gives a nice feel of the speaker trying to explain it to herself as she writes. “As he and I grew, a world outside of who we were.” bit incomplete, that. I’m not sure precisely what you’re saying with it, so I won’t show you a redo—if you explain it I’d be glad to help with it.

There is another thing, a given, really if we are discussing Eliot. It’s my mother, she carried him and now she has the burden of his words, bitter on the rolls of her tongue. Cold in her complaints and unhappy with the little boy turned man, turned away from her.

Another bit of a sidenote, I think. Mothers are extremely important in stories of family, but introducing her this late in (and his name, which itself is, I think, somewhat unnecessary – he is the untitled brother, after all) is more of a distraction than a real impact. We’re focused on you, we’re focused on him right now—continue with that momentum, don’t let it go! Maybe slip this in earlier, or cut it out entirely.

Although we were wholly still brother and sister, I heard less of him, as I focussed on school, wrote more, dwelled less about all the conversations we could have had. There was no interest, not in a sickly studious school girl who had a fond obsession with books, an attraction to writing and an awkward stance.

Dunno if this is an Aussie spelling thing, but is ‘focussed’ supposed to be ‘focused’? that’s how we spell it, anyway (:

Although we were wholly still brother and sister, I heard less of him; I focused on school, wrote more, dwelled less about all the conversations we could have had.

There was no longer interest. Not in a sickly, studious school girl who had a fond obsession with books, an attraction to writing and an awkward stance.

The ‘interest’ part is still a bit awk, but as these are not my words I don’t want to play with them too much. That part could be rephrased a bit smoother, and I’m sure you could do a better job of it (;


There is still much I don’t know about him, I know he is completely selfish. Loves the money; the control; the sound of his own voice. And I know that he is insecure, but whatever words I use to connect stop at “hi”. I know I will never say, “I love you” like I do to my mother and father on occasion. To let them know, I’m just human.

’Though’ there is still much I don’t know about him. (? seems like that’s what you mean). Maybe add a ‘but’ between know and I’m in the last line? It’s kind of abrupt. Could cut the ‘And’ before I know that he is insecure. I’m gonna fiddle with this a bit, and maybe it’ll give you a new perspective on which flow/stylistic things you could touch up.

Though there is still much I don’t know about him, I know he is completely selfish; I know he loves the money, the control, the sound of his own voice. I know that he is insecure; (insert examples to keep parallel structure) But whatever words I use to connect stop at “hi”. I will never tell him “I love you”, like I do to my parents. To let them know, [hey – some other one syllable? I think it needs the sound] I’m just human.


Even knowing that he has turned away was nothing to how I felt his hands take hold of my shoulders and shake them, as he flew at me, red in his own flurry, angry about something as simple as a power failure. Like a person inflicted with a fever, things were said out of a rising temperature. Things he won’t remember in a year to come. But I know I will, I remember too well how I’d climbed into the nest of trees and cried, until I felt each droplet leave my body. Until I have blotted his name from my head.

Only one nit in this beaut!

But I know I will, I remember too well how I’d climbed into the nest of trees and cried, until I felt each droplet leave my body. Until I have blotted his name from my head.

But I know I will. I remember too well how I’d climbed into the nest of trees and cried, cried until I felt each droplet leave my body. Until I have blotted his name from my head.

^random interesting thought—cried until every droplet has left, and thusly the remains are brittle— perhaps could draw a connection with the brittleness of the twigs/branches/etc of the ‘nest of trees’ in which speaker is crying.


So, I’m letting you know, I cannot see my mother fold into herself, wondering what she did wrong on the way. I cannot let my father do nothing, and I cannot let myself give up—even though, I am already on the verge.

This paragraph makes me go hmm about what I said of the mother one—makes it crucial, and makes the entire piece feel slightly underdeveloped in that aspect. We haven’t really seen the impact of the son on the father, and the mother could do with a bit more than just that—and then show us the impact of the hurting parents on the daughter, on top of the impact of her brother. There is a revelation here, an answer to a question which was not really posed—what should she do about it? How can she save her family? etc.

[maybe you posed it and I’m just a dunce, who knows. I’m tired! hehe]


There is something hanging over our household, a tension waiting to collapse, and with it, it’ll drag my mother and her son into it. So this year, I ask that something be repaired, someone be surprised, somebody be saved, because I’m starting to wonder who my brother is, and like he did to me, shake him from it.

I feel like the word ‘implode’ would be good here. ‘A tension waiting to collapse’ isn’t the strongest way to say it—I think tension could be replaced with some sharper metaphor, one in implosion leaves a sucking, hungry black hole. Also—what about the dad?

So this year, I ask that something be repaired, someone be surprised, somebody be saved, because I’m starting to wonder who my brother is, and like he did to me, shake him from it.

|
v (sentence structure! don’t forget about continuing the structures you begin)

So this year, I ask that something be repaired, someone be surprised, somebody be saved, because I’m starting to wonder who my brother is, and I’d like to do as he did to me--shake him out of it.

the something be repaired, someone be surprised, etc structure/words are just beautiful. love it.

Last thing—the ‘shaking’ image returns the reader to the speaker crying in the nest of trees, but the revelation in that moment was only misery (or so it seemed to me). In a way that makes me think the speaker would like to make him suffer? but everything else says otherwise…you might want to look into that.


Kind Regards,
Amber.

I would give you an overview, but I’m pooped. Will come back if you like to point out other bits like I liked muchly—there were many. (: This is a strong piece; hope you win!

--
| MIMESIS |
I don't mean overall clarity--just phrases and sentences here and there that might be improved. The spelling mistakes were minimal, but it's always good to point them out when the writer is a dedicated one willing to polish, polish, polish.

I think this is a fantastic piece--I wouldn't have offered to spend so much time & thought critiquing, otherwise. (:

--
| MIMESIS |

Site Map